Subversion: An Essential Tool of the Master Teacher

Listen to my interview with Melinda Anderson (transcript):

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When you hear the word “revolutionary,” what kind of person do you picture? Are they marching in the streets, fist in the air? Speaking passionately to crowds? Leading boycotts, strikes, demonstrations? 

I’m guessing that whatever you’re seeing in your mind, it’s not a teacher. Maybe you can picture a teacher’s strike, but beyond that, do you ever think of teachers as revolutionaries?  

I’m starting to. Because some of the best teachers perform revolutionary acts every day. I’m not talking about helping a child get over a difficult academic hurdle or inspiring a class to try hard on a test. I’m talking about breaking the rules to do what’s best for kids. I’m talking about subversion, and I’ve come to the conclusion that if someone wants to be a master teacher, acts of subversion are a necessary part of the job. 

I’ve always kind of known this, but the idea really crystalized for me while I was reading Melinda Anderson’s new book, Becoming a Teacher.

In the book, Anderson illustrates the complexities and joys of teaching by following the career of LaQuisha Hall, an English teacher in the Baltimore public school system. Readers watch Hall struggle to find her voice as a first-year teacher, hook up with mentors who would support her growth, and work through the trial-and-error cycle of developing lessons that would reach the kids in her classes.

As her career progresses, Hall also occasionally chooses to buck the system for the sake of her students. The first instance of this was when she allowed students to opt out of reading the text required by her school’s curriculum, and instead choose something from Hall’s library of racially and culturally diverse books. The move resulted in far more students being engaged in and excited about the task of analyzing literature.

This small but significant act of subversion is the kind of thing I’m talking about. Hall knew her decision was risky; it could get her into trouble with her superiors, and because she is a Black teacher, she was assuming a greater personal and professional risk than if she were white. 

But it worked.

And this kind of thing happens in classrooms everywhere: smart, qualified, ethical teachers breaking rules, finding work-arounds, and flying under the radar to do things in a way that aligns with their expertise and experience, not the way they are told to do them. These decisions are not made to avoid work or for the sake of being defiant; they arise from a perfect storm of knowing what your students need, learning best practices from educational research, and being stuck in a system where change comes slowly, if at all.

Becoming a Teacher is not a book about subversion. It’s a book about a devoted, creative, award-winning teacher who impacted the lives of so many students. But when we planned our conversation about her book, I asked the author, Melinda Anderson, if we could focus on the theme of subversion, because it surfaced so many times in the narrative. Anderson has written prolifically about education and equity for years now, and I knew that experience would give her a unique perspective on the topic, so I was excited when she said she’d be willing to give her take on this question: Is subversion a necessary part of being a master teacher?

Here are some highlights from our interview.

Why Subversion is Necessary

Anderson starts our conversation by pointing out that Hall’s story does not start out as one of subversion; rather, she evolves in that direction out of need.

“She doesn’t start that way. She very much identifies as a rules follower. She comes into the profession, she follows the curriculum, she does everything as it’s supposed to be practiced, but you see her actively work against what she sees as restrictive policies and systems that overlay teaching. (She) becomes a teacher who engages in actions that are subversive and liberating.”

Whether they take action or not, “It’s something that a lot of teachers struggle with,” Anderson says, “because they know what works for a unique group of students, but they feel obliged to rigidly follow either the district’s curriculum or buy into conventional wisdom. When a teacher goes against the norm, that’s characterized as showing initiative or being innovative. Yet in a system that really rewards conformity and obedience, this is really teachers as dissidents. This is teachers being subversive and being willing to take risks that best serve their students.”

In the book, Anderson includes this quote from Black historian Lerone Bennett: “An educator in a system of oppression is either a revolutionary or an oppressor,” she quotes. “When you think about that, teachers have to be revolutionary to do their best work for students in a system that’s really built to oppress.”

What Subversion Looks Like

For some teachers, subversion might mean choosing not to enforce rules you disagree with or actively speaking out against an ineffective or unjust policy. In LaQuisha Hall’s situation, her subversive acts are more subtle:

Choosing Materials that Speak to Students

School curricula are almost always chosen by people outside the classroom, and are too often guided by “tradition.” But many teachers know that the prescribed curriculum in their school is not relevant to the students in the room, so it’s often necessary to veer from it. Hall does this by offering the book opt-out described earlier.

“She was teaching students that often came to her begrudgingly reading or who came to her having failed English and believing they didn’t like to read or that they couldn’t read,” Anderson says.

The risk pays off. When more relevant books are put into their hands, many of Hall’s students become real readers for the first time.

“These were young people who by the time they had completed the school year had read nine books a year, and they’re now reading on their own, and they’re reading for enjoyment. Last spring, (students) were tweeting her and on Instagram sharing the books they were reading. They didn’t have to read. They weren’t in the classroom anymore. It’s because she had created the space for them to be able to read books that energized them, that interested them.”

Diving into Challenging Topics

Although many teachers steer clear of controversial topics in their classrooms, Hall chooses to tackle them head-on.

“The combustible topics of race and politics are regularly discussed in Hall’s classroom,” Anderson writes in Becoming a Teacher. “She makes a distinction between civics education and political partisanship, noting that her students should know about voting, elections, the branches of government, and the democratic process to be informed and engaged participants in civic life. ‘I don’t have to persuade you to take a certain route, but you should be educated on the routes,’ she says. ‘We’re producing graduates who don’t know the difference between a Democrat and a Republican, so I’m going to tell them when they’re in my class.'”

“It’s clear that she believes that the classroom is a space not only for academic learning,” Anderson says in our interview. “It’s a place to prepare our students for the world outside the walls of our high school, and that’s a really tricky affair right now because everything is so divisive. But you also have to remember who she’s teaching. She’s teaching young Black people to go into a city and a world that doesn’t see their promise and possibility many times. She’s teaching them to question and investigate and think critically about what they’re told.”

Changing the Narrative

Frustrated by the negative way the media, community members, and even some of her colleagues talked about her students, we see Hall work tirelessly to push back with a different narrative. She does this in all corners, from staying upbeat when talking about students in the teacher’s lounge, to regularly sharing positive images and stories of her students on her Instagram account, to publishing student writing in books.

“She makes a very intentional stand to refute the negative portrayals of Black youth in the media and is very persistent in taking on news reports that are so negative about Black students who she knows,” Anderson says. “What she continually returns to is that the kids that you’re describing are not the young people that I teach. They’re not the ones that I see that are sitting in my classroom writing stories, that are publishing books. She is very clear about saying over and over again to people who seek to disparage Black youth that no, I’m not going to stand for that.

“She’s not content just to go along with the notion that Black kids can’t do this, or they can’t learn this, or they should be reading this or be able to do that. She refuses to buy into society’s deficit views of Black young people because she has a firsthand perspective that says otherwise.”

Bothering

Sometimes subversion looks like making an extra effort in situations when most would ask, Why bother?

In the book, we see an example of this when Hall spends $2,500 decorating her classroom. This expense covered furniture, commissioned artwork from a local artist, and a special “Scholar of the Week and Friends” corner. While no teacher should be expected to spend anywhere near this amount of money on classroom décor, it’s just one example of an area where Hall felt the extra effort was worth it. For other teachers, that effort might look like something entirely different; the point is, if we conform to the why bother attitude that some teachers embody, we may miss an opportunity to meet a need for our unique group of students.

“Some educators shun spending a lot of money decorating and creating this showpiece classroom,” Anderson says. “But (Hall) knows that her classroom is a refuge for a lot of her kids who see it as kind of a beautiful tranquil space for them to learn. She rebuffs these naysayers who say that aesthetics don’t matter because she sees firsthand the difference it makes for young people living in West Baltimore. I think that she will very clearly tell you, I’m doing it because I know that many of my students when they come to school, all they pass are dilapidated buildings and people standing on the street. I want to create in my classroom a space that honors them and creates a space for learning that is appealing and makes them feel good when they’re here.”

Why work in a profession that requires this much struggle?

In her years as an education journalist, Anderson has seen a lot of classrooms, a lot of teachers, and a lot of schools that aren’t meeting the needs of all of their students. When I ask her whether she feels teaching is a worthwhile profession, she pauses just briefly, then says yes.

“I have had Black teachers specifically say to me, Why should I stay in the classroom? I say, Because Black kids need you. And other kids need you. I don’t say this to be Pollyanna-ish, because I know it’s an incredibly hard job. (But) the only way that you make a change within a system is to be in the system and to be part of the fight.

“That doesn’t mean you fight individually,” she continues. “You organize and you find ways to network, and you find others who are like-minded, and you work to the best of your ability to make the changes that are necessary for you to do the teaching, the kind of teaching that you want to do.”

Anderson believes one key to that change is helping the public understand the realities of a teacher’s work. “Teachers work in very isolated environments,” she says. “You go in, you close the door, you teach. People just don’t understand what goes into doing the job. I myself, as a reporter, did not, and I’ve covered education for many years. It wasn’t until I spent days after days sitting in a classroom really seeing not just the teaching as a skill but how the system interacts with her as an individual teacher that I fully understood.

“And so I would say, yes, become a teacher. Don’t go into it idealized, and don’t go into it thinking it’s all candy and rainbows. Go into it knowing that it is a political position. It is a position that you have to fight for.”

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You can find Melinda Anderson on Twitter at @mdawriter.

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